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This sort of study has revealed a huge amount about the relationship between public images and individual perceptions of beauty in modern Europe.

In ancient India only the public image survives - statues, paintings, and carvings.

As such items were light weight and easily moved it is likely that they were intended mostly as private images and it also seems they were mass-produced.

Terracotta images survive in quite substantial numbers from many sites, despite its lack of durability simply because the production was on such a large scale.

The sources available can be divided into three broad categories, based upon the media used.

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